Just for the game of it,” Mr. Zimmer said, “all the music in the score is subdivisions and multiplications of the tempo of the Édith Piaf track. So I could slip into half-time; I could slip into a third of a time. Anything could go anywhere. At any moment I could drop into a different level of time.
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| — | Hans Zimmer on the soundtrack to Inception. Perhaps not a movie of endless profundity, but still one that was, conceptually and narratively, one of the out and out coolest things cinema has done in a number of years. |
